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Art --- artists' books [books] --- découpages [visual works] --- Broodthaers, Marcel --- Mallarmé, Stéphane --- Evans, Cerith Wyn --- Boeken --- Vormgeving --- Boekvormgeving --- Boek --- Onderwijs --- Industrie --- China --- Voorlichting --- Reclame --- Spionage --- Opvoeding --- Pedagogiek --- Statistische gegevens --- Sport --- Communicatietheorie
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Art --- smoking [activity] --- Iconography --- 178.7 --- 633.71 --- Flip Bool, Martijn Helmerhorst, Annemieke Hendriks [et al.] --- schilderkunst --- psychologie --- roken --- iconografie --- iconologie --- tabak --- zeventiende eeuw --- fotografie --- beeldverhaal --- strips --- film --- twintigste eeuw --- muziek --- popmuziek --- reclame --- reclamevormgeving --- 7.041 --- 7.03 --- Tabaksverslaafdheid --- Tobaccos. Nicotiana --- 633.71 Tobaccos. Nicotiana --- 178.7 Tabaksverslaafdheid --- beeldende kunst --- speelfilm --- art [fine art] --- Arts, Modern --- Smoking in art --- art [discipline] --- beeldende kunst. --- fotografie. --- reclame. --- speelfilm. --- tabak.
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"With its more than 20-year history, ART+COM continues to play a central role in defining the international forefront of spatial media communication. The studio is setting the standard of excellence in the development of projects at the intersection of art, media, design, and technology. ART+COM is particularly skilled at presenting brands and content both effectively and playfully so that they resonate on an emotional level. A prime example here is the Kinetic Sculpture that the company created for BMW, for which the company has won an impressive range of awards including Clios, a Cannes Lions, Art Directors Club Awards, and a Gold German Design Award. In ART+COM: Media Spaces and Installations the group presents its quintessential work with new media as well as insights based on its perspectives and experience. The book features detailed documentation of projects for clients such as DaimlerChrysler, Esprit, and Deutsche Bank as well as the agencýs own work that has been exhibited at renowned museums including the Centre Pompidou and the Shanghai Art Museum, and at the Venice Biennale. The broad range of examples and comprehensive texts explain concepts, working methods, and implementation. Links to each project lead to specially created websites with additional film and image material. ART+COM: Media Spaces and Installations presents a range of versatile new possibilities offered by the strategic merging of communication, design, and technology and provides a compelling look into the future of new media. It is geared toward anyone who is interested in new media, interactivity, visualization, media art, and the digital world."--Publisher description.
digitale vormgeving --- Advertising. Public relations --- installatiekunst --- Art --- installations [visual works] --- Product strategy --- computer art [visual works] --- New media art. --- Installations (Art) --- Technology and the arts. --- Arts facilities. --- 766.07 --- Performing arts facilities --- Civic centers --- Arts and technology --- Arts --- Installation art --- Art, Modern --- Environment (Art) --- Arts, Modern --- Gebruiksgrafiek ; grafische designers, reclamekunstenaars, typografen, illustrators A-Z --- ART+COM (Firm) --- New media art --- Technology and the arts --- Arts facilities --- 766:659.12 --- 766:725.21 --- 749.07 --- 069.53 --- Communication Design --- Retail design ; winkelinrichtingen --- Present --- Gebruiksgrafiek ; ontwerp en vormgeving van reclame --- Gebruiksgrafiek ; reclame voor winkels, merken --- Meubelontwerpers ; designers ; interieurarchitecten --- Museologie ; collecties ; techniek van het tentoonstellen --- Communication Design ; 1988-2011 ; Art + Com Studios --- Visuele en auditieve communicatie --- Media sculpturen en installaties --- Art+COM (Firm) --- 766.12.07 --- Grafische industrie en ontwerp ; drager ; digitaal ; webdesigners, digitale designers & bedrijven --- 766.31.07 --- Grafische industrie en ontwerp ; beeld ; reclame ; reclamebureau's, copywriters, art directors, reclameschilders ; affichekunstenaars --- kunst en technologie --- kunst en wetenschap
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Magritte, René --- Drawing --- Painting --- drawing [image-making] --- photography [process] --- Photography --- painting [image-making] --- Art --- assemblages [sculpture] --- anno 1900-1999 --- Belgium --- Belgian [modern] --- Catalogues d'expositions --- Peinture --- Schilderkunst --- Tentoonstellingscatalogi --- Magritte, René, --- Exhibitions --- Magritte, René 1898-1967 (°Lessines, België) --- Schilderkunst ; Surrealisme ; René Magritte --- Belgische kunstenaars --- 75.07 --- (069) --- 75.037(493) --- onder leiding van Gisèle Ollinger-Zinque en Frederik Leen --- kunst --- twintigste eeuw --- Magritte René --- schilderkunst --- beeldhouwkunst --- surrealisme --- België --- fotografie --- film --- woord en beeld --- tekenkunst --- partituren --- reclame --- kunst en reclame --- 75.071 MAGRITTE --- 7.071 MAGRITTE --- Schilderkunst ; schilders --- (Musea. Collecties) --- Schilderkunst ; 1900 - 1950 ; België --- Exhibitions. --- CDL --- Surrealist --- Magritte, René.
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Essays by Prem Krishnamurthy, Jan De Vylder and Tom Van Imschoot. Photo-Essay by Michiel De Cleene. With new work by Karel Martens, Tauba Auerbach, Experimental Jetset, Ben Thorp Brown, Braulio Amado, David Horvitz, Max Pinckers, Daniel Eatock, Nina Canell, Fiona Banner, Dexter Sinister, Sanam Khatibi, Filip Dujardin and many many others. 019 is an artist collective running an exhibition, performance and work space in a former welding factory in Ghent. 019 was never going to remain the only place we worked in. From the start, it's been a laboratory that swings us into unknown directions, constantly sharpening our sense of improvisation and reinvention on the spot. For three years, from 2013 onwards, we made that old welding factory at Dok Noord in Ghent the focal point of our activities. People even started to identify the entirety of our collective, Smoke & Dust, with what was basically only the name of its nineteenth project. We became 019. The whole project turned us upside down. But in doing so, we became aware as well. We understood that the act of occupying and taking possession of the site was not the goal of our work at all. From the inside out, starting with a wooden construction in its interior and up to the billboard at an outside wall and a series of flagpoles on the roof, we gradually developed the place into an assembly of undergrounds for public and artistic encounter, an emerging space for collaboration that was grounded on the premise that all media at our disposal were common grounds to be rediscovered. That's when the work began. In continuation of S&D#025/ APE#047: 'So Many Dark Gifts' (ISBN 9789490800291) and S&D#024/APE#069: Sabotage And Complicity (ISBN 9789490800499).
7.039(493) --- Kunstgeschiedenis ; 2000 - 2050 ; België --- Reclame. Public relations --- Kunst --- kunst --- adverteren --- advertenties [drukwerk] --- 019 [Ghent] --- 019 [Gent] --- reclameborden --- openbare kunst --- vlaggen --- Advertising. Public relations --- Art --- art [fine art] --- advertising --- billboards [site elements] --- public art --- advertisements --- flags --- Hergebruik ; herbestemming van leegstaande ruimtes ; Gent ; Dok Noord --- Beeldende kunst ; 21ste eeuw ; 2016-2018 --- art [discipline] --- communication design
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Hank Willis Thomas: All Things Being Equal presents a survey of the artist's prolific and extraordinary interdisciplinary career, incorporating all aspects of his art, with a particular focus on the work's relationship to the photographic image and to issues of representation and perception. At the core of his practice, is his ability to parse and critically dissect the flow of images that comprises American culture, and to do so with particular attention to race, gender, and cultural identity. Other powerful themes include the commodification of identity through popular media, sports, and advertising. In the ten years since his first publication, Pitch Blackness, Thomas has established himself as a significant voice in contemporary art, equally at home with collaborative, trans-media projects such as Question Bridge, Philly Block, and For Freedoms as he is with high-profile, international solo exhibitions. This extensive presentation of his work contextualizes the material with incisive essays from Portland Art Museum curators Julia Dolan and Sara Krajewski and art historian Sarah Elizabeth Lewis, and an in-depth interview between Dr. Kellie Jones and the artist that elaborates on Thomas's influences and inspirations.--from the Publisher
Art --- sculpture [visual works] --- photography [process] --- racial discrimination --- social stratification --- civil rights --- video art --- interactive art --- Thomas, Hank Willis --- African American art --- Photography, Artistic --- 761.2 fotografen afzonderlijk --- 705.9 --- fotografie --- conceptuele kunst --- concept art --- Identiteit (Zelfbeeld Zelfkennis) --- beeldcultuur --- collages --- branding (marketing) --- reclame --- popcultuur --- 21e eeuw (eenentwintigste eeuw) --- kunst; algemeen ; beeldende kunst; algemeen ; 21e eeuw --- Thomas, Hank Willis, --- Exhibitions
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Road traffic --- Sociology of culture --- Iconography --- design [discipline] --- Applied arts. Arts and crafts --- anno 1900-1999 --- Automobiles in art --- Automobiles --- Automobiles dans l'art --- Exhibitions --- Design and construction --- Social aspects --- Expositions --- Conception et construction --- Aspect social --- Exhibitions. --- kunst --- auto's --- design --- productdesign --- verkeer --- autowegen --- cultuurfilosofie --- architectuur --- stedenbouw --- urbanisme --- film --- reclame --- twintigste eeuw --- 7.049 --- 130.2 --- Autos (Automobiles) --- Cars (Automobiles) --- Gasoline automobiles --- Motorcars (Automobiles) --- Design and construction&delete& --- Social aspects&delete& --- Motor vehicles --- Transportation, Automotive --- kunstsociologie
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motion pictures [visual works] --- Graphic arts --- Iconography --- art [fine art] --- multimedia works --- posters --- scripts [writing] --- Photography --- Art --- Kruger, Barbara --- United States --- Graphiste --- Graphisme --- Kruger, Barbara, --- 20e siècle --- Barbara Kruger (° 1945, Newark, New Jersey, VS) --- Kunst ; van vrouwen --- Kunst en reclame ; grafische vormgeving --- Kunst en woord ; 1978-1999 ; Barbara Kruger --- Kunst en maatschappij --- Simulation Art --- Kunst ; in en op openbare plaatsen --- 7.07 --- 7.038 --- (069) --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Kunstgeschiedenis ; 1950 - 2000 --- (Musea. Collecties) --- Ḳruger, Barbarah, --- Exhibitions --- Kruger, Barbara, - 1945- - Exhibitions --- art [discipline] --- mass media --- United States of America --- Kruger, Barbara, - 1945 --- -Kruger, Barbara --- Artists --- Book
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50311
Van Caeckenberghe, Patrick --- sculpting --- Sculpture --- assemblages [sculpture] --- art [fine art] --- installations [visual works] --- Iconography --- Art --- Caeckenbergh, van, Patrick --- anno 1900-1999 --- anno 2000-2099 --- Belgium --- Artists' books --- Toy and movable books --- Livres d'artistes --- Livres animés --- Exhibitions --- Caeckenbergh, Patrick van, --- Boeken --- Vormgeving --- Boekvormgeving --- Van Caeckenberhg, Patrick °1960 (°Aalst, België) --- Beeldende kunst ; bricolages ; 2005 ; P. Van Caeckenbergh --- Tentoonstellingscatalogi ; Nîmes ; Carré d'Art, Musée d'art contemporain --- Belgische kunstenaars --- Beeld en woord ; beeld en tekst --- 7.07 --- 7.039 --- (069) --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Kunstgeschiedenis ; 2000 - 2050 --- (Musea. Collecties) --- Boek --- Onderwijs --- Industrie --- China --- Voorlichting --- Reclame --- Spionage --- Opvoeding --- Pedagogiek --- Statistische gegevens --- Sport --- Communicatietheorie --- Exhibitions. --- art [discipline] --- spijsvertering (kunst)
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economics --- Iconography --- kunst --- twintigste eeuw --- economie --- kunst en economie --- Closky Claude --- Feldmann Hans-Peter --- Gursky Andreas --- Fahlström Öyvind --- General Idea --- Lawler Louise --- Gillick Liam --- Nakamura Masato --- Rothstauffenberg --- Tiehai Zhou --- Atelier van Lieshout --- van Lieshout Joep --- Ziouech Malika --- Mexico --- Japan --- Duitsland --- Zuid-Afrika --- musea --- Hongarije --- Barth Manuela --- Schmidt Barbara U --- Pflumm Daniel --- Laurette Matthieu --- Accès local --- Farocki Harun --- Le Chevallier Martin --- Korpys Andree --- Löffler Markus --- Athanassakis Irini --- Sappler Joseph --- Heger Swetlana --- Park Kyong --- Hui Zhuang --- Clegg & Guttman --- Khoury Bernard --- Grubinger Eva --- Zimmermann Peter --- Jankowski Christian --- reclamevormgeving --- kunst en reclame --- Sierra Santiago --- collecties --- verzamelingen --- 7.038 --- Exhibitions --- Art --- Economic aspects.
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